Grief’s a bitch.

Derek Ericsson can’t get over his son’s death in a drink driving incident. Resents his wife for moving on and leaving him behind.

Private Investigator Shirley Weaving has a knack for seeing things others can’t. With more to the child’s death that anyone else can see, Derek needs her more than most.

With her late Great Uncle Edward supporting from the Other Side, she needs to get to the bottom of it before anyone else dies.

Can she solve the crime and save the man?

The cover of the psychic detective by Alexandria Blaelock shows a woman walking down a street in a goldern glow.

OR

Wilkinson’s stories also available separately

The cover of Last Case by Alexandria Blaelock shows the head and shoulders of a woman sitting at a desk
After a break in at the White Family Investigations office, her grandfather dies mysteriously on a case, and Lily knows without a doubt there’s more than meets the eye. Can she keep the business going and bring the killer to justice?
The cover of The First Rung by Alexandria Blaelock shows three women sitting at computers wearing headsets.
Dot Sayers is a newly minted private investigator. Problem is, she knows there’s something wrong with a background check. Can’t explain it. Needs to convince her boss to trust her intuition. Must find the truth behind the fiction.
The cover of Blood and Bloody Profanity by Alexandria Blaelock shows a woman with a bunch of sunflowers approaching a grave.
Every detective has a case that got away, and for Phobe Swan, itโ€™s the kidnap, ransom and ultimately murder of Lette Walker. A decade later, now a Private Investigator, she’s back on the case. Whatever the consequences.
The cover of the psychic detective by Alexandria Blaelock shows a woman walking down a street in a goldern glow.
Every detective has a case that got away, and for Phobe Swan, itโ€™s the kidnap, ransom and ultimately murder of Lette Walker. A decade later, now a Private Investigator, she’s back on the case. Whatever the consequences.
The cover of Susan and the Gangster by Alexandria Blaelock features a woman walking down a city street wearing warm layers with her hands in her pockets.
Documenting every move criminal mastermind Nick Liang makes, Private Investigartor Susan Murray draws. Part life drawing, part method of loci memory palace, part excuse. Like watching a live action Asian drama until she’s pulled into the case.